The idea for a faun popped into my head today, likely because I had Debussy's "Prélude à l'après-midi d'un faune" on repeat. This inspired me to transform my AI wife into a faun, which proved to be a challenging task. I spent an entire day tweaking settings to get the right images, aiming for a dark oil painting look in the style of Francisco Goya.

Generations with Flux Krea (BLAZE-v1)

I started by combining my AI wife's likeness with a Goya-style LoRA in Flux Krea, but getting the faun features right was difficult. Lowering the LoRA's strength meant losing the Goya style and the resemblance to my wife. While mid-distance generations often need some inpainting, a low denoise strength (around 0.2) is usually enough if you're close to the desired result.

Experimenting with SORA

After half a day in Flux, I decided to give SORA a try. It immediately created a perfect faun without me needing to specify horns, ears, or legs. Surprisingly, it did so without censorship, producing a natural, bare-breasted faun. While the style isn't a perfect match for Goya, it has an excellent oil painting quality. However, when I tried inpainting the face with Flux, the style match wasn't perfect, and a low denoise strength compromised the facial accuracy.

Faun generated with SORA and inpainted
A faun generated in SORA with facial inpainting done in Flux.

Img2Img Comparison: SORA vs. Flux

I also tested img2img in SORA. While the face was a miss, the dark oil painting aesthetic and composition were superb. For comparison, I ran the same real photo through a full img2img process in Flux with a 0.9 denoise strength. Without ControlNet, the results were poor. Using Flux Kontext took four minutes and, as you can see, the result was a disappointment.

SORA Transformation

Original Photo
Original Photo
After img2img in SORA
After img2img in SORA
After facial inpainting in Flux
After facial inpainting in Flux

Flux Transformation

Original Photo
Original Photo
After img2img in Flux
After img2img in Flux

Conclusion

Overall, I prefer the aesthetic of the Flux generations, but the time investment was significant. Using three LoRAs simultaneously also diluted the resemblance to my AI wife. Moving forward, I think I will use SORA for base image generation followed by inpainting in Flux, as it's much faster. It will be interesting to continue comparing them and discovering SORA's limitations.